This past weekend, the author of Aphelion and NeWest’s GM joined me with glue-sticks in hand to make bands which will wrap around review copies of the book. The line “cross the pond” playfully obscures the title and reinforces the continental drift scene I tried to orchestrate with the stones:
“Aphelion” is the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun. The poems encompass the idea of physical/emotional distance and contrast the human and natural world. Each poem is grounded in the landscape of either Europe or Canada, depending on where she was writing at the time.
To achieve the high contrast lighting in the photo, I placed the stones in their groups on blue tissue paper inside my bathtub, using the contained area and white fiberglass walls to control the depth and direction of the shadow.
The stones in my cover photo was inspired in particular by two consecutive poems in the collection called “Petroglyph Trail” and “Letter to Nancy”:
“light catches the stone
revealing hairline fractures
I paired Gill’s Joanna with Barnbrook’s Priori sans and serif.