Alberta’s Daycare Controversy
Controversial kids: apparently, between 1908 and 2009, daycare has been a point of contention in this province.
This is my preliminary solution for the cover of Langford’s exposé. The grainy illustration was pilfered from a child care manual circa 1986. I’m pushing for the upside down orientation, but it will take some cajoling.
The formidable Marvin Harder will be designing the interior.
(I told myself I wouldn’t indulge in white book covers anymore. They blend into the background on-screen. When the books are shipped from the plant, the plain white stock is always a disappointment. In this case, the stark contrast of the source drawing is responsible for my relapse. The black on white gives it that “low resolution output device on low grade paper” feel that suites the bureaucratic topic.)
The Political Economy of Workplace Injury in Canada
Instead of focusing on workplace safety (hardhats and goggles) or going gruesome like a lot of the Workers’ Comp. ad campaigns do, I decided to hit a sympathetic note with injury related imagery.
(1) Okay, I just mocked up the cast using a stock photo. I’ve done a lot of things to get a photo for a project (including tying my little brother to a chair, coating a person’s face with charcoal, persuading the director of the University bookstore to open the doors on a holiday and sell me medical equipment… to name a few.) But sneaking into a hospital to write on an injured person seemed excessive.
(2) I fashioned a book with the title on the front and then bandaged it up. I considered using band aids, but the gauze really gives the impression it’s holding something fragile together when wrapped around to the back of the jacket.
(3) A prime example of what I like to call opportunistic typography:
Personifying letterforms and then decapitating them.
(4) The approved concept exhibits the title on the greeting card in a looming get well soon bouquet. The sombre tone suits the content and alludes to injury and consequence without showing it.
How Canadians Communicate
I combined found letterforms from various media to make the jacket for the 3rd volume in the “How Canadians Communicate” series. The collection of essays focuses on Canadian pop culture and censorship and how these things ignite expression.
Canadian Literature at the Crossroads
“One more time, with panache,” the editor requested after rejecting my first two ideas.
This is the first book to gather essays by Barbara Godard, one of the leading figures in the field of Canadian studies. Her work has been instrumental in interrogating the normative ways in which we think about Canadian culture.
Below are two initial mockups for the cover design followed by a photo of the final product. It was a challenge to make use of the prominent Canadian art piece while achieving the “panache” (client’s expression, not mine) that the editor was looking for.
[ art = “Sans titre.” Marian Dale Scott, Acrylique sur toile, 213 x 101cm, Printed with permission: Musée national des beaux-arts du Québec]
The sans serif is Priori Sans designed by Jonathan Barnbrook in ’03.