Another book in NeWest’s Writer as Critic Series. In this collection of essays edited by the University of Guelph’s Smaro Kambourelli, Roy Miki investigates the shifting currents of citizenship, globalization, and cultural practices facing Asian Canadians today through the connections of place and identity that have been forged through our developing national literature.
At first, I wasn’t thrilled with the imagery provided by the author: an aerial view of the coastline with the Fraser River taken from a seaplane. But it’s the landscape that would form the conditions of early settlement for Asian Canadians, so, conceptually, it’s a strong match for Miki’s work.
I then turned to idea #3 on my “I’m totally stumped and can’t deal with this dull photo you gave me” list: turn it upside down and crop it so it’s barely recognizable.
My Beloved Wager
A collection of essays by Erín Moure, a poet and translator from Montreal. In her linguistic-sculptural interventions on what poetry makes possible, Moure reveals why she has placed her bets on poetry as a way of life. The red shoes are from an installation by Vida Simon called “Walking to Russia” in Moure’s hometown Montreal.
Canadian Literature at the Crossroads
“One more time, with panache,” the editor requested after rejecting my first two ideas.
This is the first book to gather essays by Barbara Godard, one of the leading figures in the field of Canadian studies. Her work has been instrumental in interrogating the normative ways in which we think about Canadian culture.
Below are two initial mockups for the cover design followed by a photo of the final product. It was a challenge to make use of the prominent Canadian art piece while achieving the “panache” (client’s expression, not mine) that the editor was looking for.
[ art = “Sans titre.” Marian Dale Scott, Acrylique sur toile, 213 x 101cm, Printed with permission: Musée national des beaux-arts du Québec]
The sans serif is Priori Sans designed by Jonathan Barnbrook in ’03.